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New Generation (Malayalam film movement)
New generation films (2010–present〔(Malayalam new generation films failing to click? - Indian Express )〕) is a Malayalam film movement developed in the early 2010s, characterized by fresh and unusual themes and new narrative techniques.〔 Films of the new wave differ from conventional themes of the past two decades (1990s and 2000s) and introduced several new trends to the Malayalam industry. While the new generation formats and styles are deeply influenced by global and Indian trends, their thematics are firmly rooted in Malayalee life and mindscapes.〔http://www.frontline.in/arts-and-culture/cinema/new-trails-of-discovery/article5189455.ece?homepage=true〕
The new generation also helped to revive the Malayalam film industry in the early 2010s.〔(City Times - Hit parade )〕 New generation film producers like Listin Stephen who produced ''Traffic'', Sadanandan Rangorath who produced ''Salt N' Pepper'', Sandra Thomas who produced ''Friday'' are the producers who believed in this concept and took the initiative to make this movement in the industry.
==Characteristics of films==
Erosion of the so-called "superstar" system in popular Malayalam films coincided with rise of the new wave where screenplay got rooted-to-reality, closer-to-life and lead characters became ordinary men and women. Influx of new actors, the absence of superstars, rise of metro-centric/urban and middle-class themes and different story-lines were also noted in the wave. While formats and styles of the new directors are deeply influenced by the global and Indian trends, their thematics were firmly rooted in Malayali life and mind-scape. A recurrent trope in these new narratives is accidents, coincidences, casual encounters and chance meetings that set in motion an unexpected chain of events affecting the lives of the characters drifting in the urban flotsam.〔 The frequent use of Malayalam influenced by English is also noted in the films.〔(www.outlookindia.com | Chemmeen Pickle )〕
Until recently, most Malayalam films had rural themes portraying the "essential goodness" and "unspoilt beauty" of villages. The focus of the films also moved from the conventional masculine, handsome, virtuous and invincible hero to secondary characters.〔 Actors such as Thilakan (''Ustad Hotel'') and Prathap Pothen (''Ayalum Njanum Thammil'') were noted for their hard-hitting performances in the Wave films.〔 The depiction of women has also changed in the New Wave films beyond recognition. A number of female-oriented films such as ''22 Female Kottayam'', ''Cocktail'', ''Beautiful'' and ''Trivandrum Lodge'' were also part of the new wave.〔 The leading ladies often flirt openly, drink in public, and make lewd comments.〔 The new wave films are criticized for explicit language and provocative themes, often under the guise of bold or modern.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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